Today is the birthday of documentary filmmaker Ken Burns (1953). He was born in Brooklyn, New York, but he grew up in Ann Arbor, Michigan, where his father was a professor at the University of Michigan. He studied film and design at Hampshire College in Amherst, Massachusetts, and his first major documentary film was Brooklyn Bridge in 1981. He was nominated for an Academy Award and set on his path as a documentarian of American history and culture.
He's since produced lengthy documentaries on jazz (2001), World War II (2007), the National Parks (2009), and two series about baseball (1994 and 2010). Most of his work appears first on public television, and he's signed an agreement with PBS to supply them with material well into the next decade. His next project, which airs this fall, is about Prohibition, and future projects are said to include documentaries about the Roosevelts, the Dust Bowl, and the Vietnam War.
He told the Los Angeles Times: "All truth is manipulated, because the universe is chaotic. What we divine from it is the superimposition of some kind of order, whether it's religion, superstition, story and art, literature, science — all of them are an attempt to keep the wolf from the door. And that wolf is the panic of chaos."
It's his 11-hour television miniseries The Civil War (1990) that made his name. Because he used so many still photographs from the period, he came up with the idea to give a sense of movement by panning over the photos, or zooming slowly in on a particular detail. The technique has come to be known as "the Burns effect."
He's since produced lengthy documentaries on jazz (2001), World War II (2007), the National Parks (2009), and two series about baseball (1994 and 2010). Most of his work appears first on public television, and he's signed an agreement with PBS to supply them with material well into the next decade. His next project, which airs this fall, is about Prohibition, and future projects are said to include documentaries about the Roosevelts, the Dust Bowl, and the Vietnam War.
He told the Los Angeles Times: "All truth is manipulated, because the universe is chaotic. What we divine from it is the superimposition of some kind of order, whether it's religion, superstition, story and art, literature, science — all of them are an attempt to keep the wolf from the door. And that wolf is the panic of chaos."